Crafted as collector pieces, the brochures are case-bound in book cloth with subtle embossing. Flat-lay binding allows the renders to sit uninterrupted, an intentional design choice to showcase every detail in full.
Minimal, refined wordmarks differentiate each home while sharing a cohesive typographic foundation.
Each residence draws its name from Italy’s cultural icons. Verona, inspired by romance and heritage; Milano, by couture and craftsmanship. Together, they create a narrative of two worlds, one vision.
Soft pinks and warm neutrals for Verona. Muted greens and greys for Milano.
These palettes reflect the distinct marble tones of each home, capturing their individuality while sitting harmoniously together.
A single landing page connects both homes, mirroring the strategy of one location, two worlds. Users can explore each residence individually while understanding their shared story of architectural excellence.
‘In my mind, the concept [...] was simple. Create a home that would become a true Brisbane landmark property, showcasing everything that is great about the city, the river and the beautiful sub-tropical climate’.
John Flynn, Director, Conrad Gargett Architects
Contemporary.


